LitReactor: the supplemental material

Posts tagged writing

litreactor.com 9 Ways To Punch Rejection In The Nuts—A Positive Outlook What are your odds of rejection as a writer? High! High as a motherfucking kite, my friend. This is a motivational piece, by the way.

litreactor.com When Writers Do It Wrong: The Top 10 Ways To Annoy Your Twitter Followers Tweet less. Tweet better. Tweet relevantly. And for the love of all that is holy, stop annoying your followers. Here’s the 10 most annoying things I see writers do on Twitter, plus how to fix them.

litreactor.com 10 Super Weird Things About 'The Da Vinci Code' Are the secrets surrounding 'The Da Vinci Code' juicier than the secrets contained within? No. But they might be more entertaining.

litreactor.com What Works & What Doesn't: 'Children of the Corn' Whoever decided voice-over narration in this film would be a good idea needs a visit from He Who Walks Behind the Rows.

litreactor.com 6 Ways Non-Writerly Spouses Help Improve Your Craft Because everyone can assist in this whole

In two weeks, Richard Thomas will help you nail the mechanics of the short story. Perfect if you’re a beginner, but anyone who wants to do some serious, fast-and-furious writing is welcome.

In two weeks, Richard Thomas will help you nail the mechanics of the short story. Perfect if you’re a beginner, but anyone who wants to do some serious, fast-and-furious writing is welcome.

In this four-week workshop, learn to build a living, breathing, fantastical world—with real rules, real stakes, and real mechanics.

In this four-week workshop, learn to build a living, breathing, fantastical world—with real rules, real stakes, and real mechanics.

This four-week workshop will focus on the mechanics of scene writing, drawing from a cross-section of genres and mediums—from playwriting to literary fiction to screenwriting.

This four-week workshop will focus on the mechanics of scene writing, drawing from a cross-section of genres and mediums—from playwriting to literary fiction to screenwriting.

Fiction magazine editors aren’t normal readers—so what are they looking for? Tobias Caroll, managing editor of Vol. 1 Brooklyn, is here to tell you in this two-week course.

Fiction magazine editors aren’t normal readers—so what are they looking for? Tobias Caroll, managing editor of Vol. 1 Brooklyn, is here to tell you in this two-week course.

If Shakespeare required a word and had not met it in civilised discourse, he unhesitatingly made it up.

Anthony Burgess, A Mouthful of Air: Language and Languages, Especially English (via provst)

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