Posts tagged bindings

erikkwakkel:

Siamese twins

The bookbindings above are as odd as they are rare. In fact, I encountered my first only a few days ago while browsing Folger Library’s image database of bookbindings. The binding is called “dos-à-dos” (back to back), a type almost exclusively produced in the 16th and 17th centuries. They are like Siamese twins in that they present two different entities joint at their backs: each part has one board for itself, while a third is shared between the two. Their contents show why this was done: you will often find two complementary devotional works in them, such as a prayerbook and a Psalter, or the Bible’s Old and New Testament. Reading the one text you can flip the “book” to consult the other. The last image above is a unification of no less than seven devotional works printed by the same printer (Feichtinger, Lintz, 1736-1737), showing that the constructions could also encompass much more than just two texts. In the 20th century this type of binding enjoyed a revival with the Double Ace books, which featured two short science fiction stories.

Pics: St Andrew’s University Library, Bib BS2085.C27 (top); Washington, Folger Shakespeare Library, STC 23811.2 (two pics), STC 2907 (broidery); Chetham’s Library, shelfmark unknown (editions from 1629, 1633); Ed. J. M. Feichtinger, Lintz, 1736-1737 (from this sales catalogue). Other examples from the Folger here. A nice one auctioned off at Christie’s here.

book-aesthete:
“ So Here Then is the Last Ride
Robert Browning. The Roycrofters, NY, 1900.
One of 25 copies on vellum, finely bound. Hand-colored pictorial borders illumined by Harriet Robarge. Finely bound in full plum levant morocco, spine lettered...
book-aesthete:
“ So Here Then is the Last Ride
Robert Browning. The Roycrofters, NY, 1900.
One of 25 copies on vellum, finely bound. Hand-colored pictorial borders illumined by Harriet Robarge. Finely bound in full plum levant morocco, spine lettered...

book-aesthete:

So Here Then is the Last Ride
Robert Browning. The Roycrofters, NY, 1900.

One of 25 copies on vellum, finely bound. Hand-colored pictorial borders illumined by Harriet Robarge. Finely bound in full plum levant morocco, spine lettered in gilt, raised bands, wrap-around strapping designs in blind on covers and spine, gilt-rolled double rule on board edges, full morocco front doublure in cream, blue, turquoise, plum, and green leathers in an elaborate in-laid design with decorative gilt stamping, title in gilt at center, rear full morocco doublure in a less elaborate design, silk endleaves, top edge gilt.
_______________________________________________
What does it all mean, poet? Well,
Your brains beat into rhythm, you tell
What we felt only; you expressed
You hold things beautiful the best,
And pace them in rhyme so, side by side.
‘Tis something, nay ‘tis much: but then,
Have you yourself what’s best for men?
Are you—-poor, sick, old ere your time—-
Nearer one whit your own sublime
Than we who never have turned a rhyme?
Sing, riding’s a joy! For me, I ride.

~Stanze VII, The Last Ride Together